Saturday, 4 May 2013
Thursday, 31 January 2013
Wednesday, 30 January 2013
It is a work to use the space and to see how the sticks help each other to stay on the wall. It was not only talk about the arrangement of lines but also gravity of materials that we couldn't see but that is exist. I choose not heavy materials to make it curious and more relate with the wall. The body of frames are not looking important but the strength between lines exist among them. Monday, 28 January 2013
Ki Beom Kwon - ambiguity
I like his way of explain about a new process of artwork in experiment way of contemporary art.
The master and magarita in Barbican theatre.
The hunt 2012
All relation are based by belief but how we can see this and the definition about my friend can be easily broken in modern society.
Anna Karenina 2012
Sunday, 27 January 2013
Vija celmins
Hitter
to explore the variations in treatment, framing, subject matter and
technique. And it is a fascinating exploration, a controlled one at
that, into the psyche of an artist and a human being.But it's not even so simple. The degree to which craft is exercised embeds a layer of communication, a layer of intimacy - in her work which is all but absent in the conceptual musings of the last 20-30 years of efforts by our best artists. She exposes us to a level of mastery and that is haunting that we wish not acknowledge nor discuss because it's not convenient to the narrative of the 'contemporary'. I think that Celmins' work provides a reminder of the soulful aspect of art that is all too often missing these decades. It is a challlenge that needs to be answered.
Vija celmins.
Saturday, 26 January 2013
practice of ambiguous images
More practice of ambiguous images.
I'm interesting to create new images by using photograph. It is an experiment of ambiguous project.
Saturday, 19 January 2013
Richard Long-RIVER AVON MUD CRESCENT NEW YORK 2011
NOWNESS.com presents: Gerhard Richter Painting
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Drypoint - Ocean Surface 1983








